Eurasia Concept
The gateway of luxury living in Vietnam.

A versatile chaise longue, a cross between an ergonomic car seat, adjustable with a knob, and the playful silhouette of Mickey Mouse. Designed in 1980 by Kita, the internationally famous Japanese designer, Wink is a timeless model, a break away from the banal due to its transformability and range of interchangeable upholstery. As part of the C90 Mutazioni programme, it comes with new details and upholstery in an updated range of fabrics and colours.

With its unmistakable distinctive profile, like the buildings designed by her, Zaha Hadid creates a highly dynamic corner sofa. It looks like a “single block” that contains, as if ‘sculpted’ into a single material, the backrest, seat and armrest, which match the ottoman that perfectly corresponds to the hollows of the seat and follows its profile. It is a powerfully iconic sofa-sculpture that does not renounce ergonomic design. It is ideally placed in the centre of a room.

A rocking armchair with great aesthetic balance. The wooden frame is made up of 30 pieces of solid ash wood, realized thanks to precision technology, which is followed by manual manufacturing in the finishing and gluing phases.

Proust it’s recognized as an icon of 20th century design and revered as one of the most renowned and essential reference points in the quest for form and aesthetic perfection.Created in 1978 for the Palazzo dei Diamanti in Ferrara.

The Up Series, designed in 1969 by Gaetano Pesce, has been one of the most outstanding expressions of design. The exceptional visual impact of seven models of seats, in various sizes, has made them unique in time. Up5 is the collection’s most famous, a female figure tied to a ball-shaped ottoman symbolizing the shackles that keep women subjugated. A large sculpture that celebrates both the modern and the traditional.

Armchair, two- and three-seater sofas and pouf with polished chrome or painted steel frame in the LC colour palette. Separate cushions upholstered in fabric or leather. LC2 is a timeless model, which has made design history. Designed in 1928 and exhibited at the Salon d’Automne in Paris in 1929, it is the archetypal armchair in the new and modern conception of furnishings understood as “domestic equipment”, re-issued by Cassina and produced exclusively since 1965. The separation of the metal frame and the cushions expresses a rationalist approach to industrial production.

Designed in 1928 this chair became famous in 1965 with Cassina, the LC4 is the definitive chaise longue: built in a shape designed for relaxation, the chair was created when the three designers teamed together to put man at the center of their design, taking the idea that form and function should be at the service of relaxation, creating a perfect balance between its geometric purity and its ergonomic intent. The stability of the frame – for any angle of inclination – is guaranteed by the friction through rubber tubes that cover the cross bar of the base.